...Aaaarrghh... was formed in the year of 1994 with the name of “Aeon” and as a Death Metal band. At the end of 1996 the demo "From The Darkness I Am Called" was recorded but not released. In 1997, the second demo "Spirits Of The Ancient Ones" faced the same end because the band broke apart after a short time. In 1998 it was decided to go on with two members.The five-track Black Metal demo "...aaaarrghh..." was recorded in the summer of 1999 under the name of "Sagansara". Due to the labels' tendency to catch the trend, it also wasn't released. After spending years away from musical activities, band name was changed to "...aaaarrghh..." and eight tracks was recorded in the autumn of 2004 under the title "Ruhlar Fýsýldýyor".- Genre: Raw Black Metal
- Quality: mp3@CBR256 kbps
- Encyclopaedia Metallum
- MySpace
Let me start by saying that the only reason I decided to check out this band was because the band name is so dumb that I just had to hear what this band sounded like. However, upon listening to this album, I was pleasantly surprised. Despite, being named after a grunting noise, this band is a fairly impressive black metal outfit. This Turkish duo play melodic, speed driven, black metal that bears some resemblance to old school Darkthrone. Rythmically, the music is mostly fast paced and rarely strays far from the all thrash/blast beats mentality. However, the band switches it up just enough to keep from being monotonous, and since most of the songs are pretty short, the album doesn't get tiresome. Riff wise, this band churns out a seemingly endless supply of fast, melodic, riffs. Even though the guitars rarely slow down, all the riffs flow nicely into one another. Bass is very present on this album, but doesn't really stand out, but provides the right amount of bottom end. The vocals on this album are a kind hushed, raspy, black metal whisper, which is different from many black metal bands since the vocals are not overpowering. However, all the lyrics are in Turkish, so most people wont have a clue what this band is saying. Atmosphere is provided to the album via occasional nature sound samples and sparse keyboards. While ...Aaaarrghh... may not be braking any new ground they are still a goo black metal act and are certainly worth a listen.
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Ölüm Kadar Soðuk, Ölü Kadar Soluk (2006)
Ölüm Kadar Soðuk, Ölü Kadar Soluk (2006)This album has spirit, pace, aggressiveness, some good musicianship and most important of all, it is flowing, thanks to the melodic riffs that project a dark atmosphere on their own. They are not melodic through usage of keyboards and faggot riffs, but preferring to play something more worthy to listen to than to raise the urge to destroy just like what Marduk and similar bands do. The drumming carry the music all through the album, never giving a sign of lack of energy, neither showing the urge to mess everything up for displays of technicality and to show off. Bass guitar, as in the previous album, gives the strong structure of the back-end on which the whole music stands strong. The tracks have consistency, the instruments have consistency and the album is eventually a compact shredder. Production is at a high standard relative to many Black Metal bands; nothing is too much standing out or seemingly getting lost, but everything is at the level where they should be in order to create a strong and pressurizing sound. If you like those old Norwegian and Swedish Black Metal bands, give it a real, hard listen without underrating the band with prejudices; you will not be disappointed. I’ll give it a beautiful 85, 15 points off to save for the next, for releasing it as mp3 and making such an obsessive man like me go mad because of not being able to know what the fuckin’ lyrics are all about.
