Groovy brutal death from Greece. Low-tuned, lots of tremolo-picked riffs, chugs, breaks, nothing revolutionary but hell, is it catchy! The vocals are the typical Human Rejection kind, inhaled, with varying high and low pitches (similar to the vocals on the second Prostitute Disfigurement album), this is a love it or hate it thing, so I'll let you decide if it's a good thing or not. The production is better than the first album's, and again it's up to you if you prefer a more clean sound, or the muddy production of the debut. If the vocals don't turn you off, you'll surely dig this.
Groovy brutal death from Greece. Low-tuned, lots of tremolo-picked riffs, chugs, breaks, nothing revolutionary but hell, is it catchy! The vocals are the typical Human Rejection kind, inhaled, with varying high and low pitches (similar to the vocals on the second Prostitute Disfigurement album), this is a love it or hate it thing, so I'll let you decide if it's a good thing or not. The production is better than the first album's, and again it's up to you if you prefer a more clean sound, or the muddy production of the debut. If the vocals don't turn you off, you'll surely dig this.